All contained aliens who took the form of shadowy forces hell-bent on taking control of the world by stealth, an obvious metaphor for communist infiltration.Ĭold War themes were also revived in 1980s films such as Red Dawn (where the US is subject to a joint Soviet-Cuban invasion) and Rocky IV (where an American boxer does battle with a robotic Soviet fighter). Soviet and Western espionage was also a common theme, depicted in movies such as The Third Man.Ĭold War hysteria seeped into the science-fiction genre, in movies such as Red Planet Mars, Invasion of the Body Snatchers and The Blob. In Big Jim McLain, John Wayne stars as a House Un-American Activities Committee (HUAC) investigator who travels to Hawaii to stamp out communist activity there.
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#This war of mine radio movie#
Many pro-American films were made in the wake of the HUAC-inspired blacklists, as movie studios and producers strived to appear patriotic and loyal. Motion pictures brought the battle between democracy and communism to the big screen. Movies Invasion of the Body Snatchers told of a secret invasion where minds were taken over by an alien force, a metaphor for communism In the 1950s, the CIA commissioned an animated film version of George Orwell’s Animal Farm – an allegorical account of the Russian Revolution and Soviet government – to serve as propaganda. The father is relocated to a distant lumber mill, the mother to an urban factory and the children to state-run schools and nurseries. As they attempt to find help, they find all their rights and freedoms have been abolished. In the comic book This Godless Communism, an American family finds the US has been taken over by communists, virtually overnight, and renamed the “United Soviet States of America”. Red Nightmare makes the outlandish claim that entire US cities had been reconstructed in Soviet territory, in order to train communist spies and infiltrators in methods of bringing down American government and society. One classic example is the 1962 film Red Nightmare, first made as an instructional device for the armed forces but later released on television. Every medium, from motion pictures down to children’s comic books, was used to portray an America under the heel of a communist dictatorship. In contrast, communism was condemned both as a political ideology and a social and economic system. ‘Red Nightmare’ A scene from the early 1950s propaganda film Red Nightmare The benefits of things like the nuclear family, school, community, obedience to parents and loyalty to the nation were openly promoted. Many of the radio series, dramas and sit-coms made in America during the 1950s celebrated the distinct advantages of living in a prosperous, capitalist nation.
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Governments produced less of it themselves, instead relying on film and television studios to incorporate acceptable ideas and values into their product. Released the following year, Meet King Joe told American workers they should be content with their lot, since they had it better than those elsewhere in the world.Īs time progressed, the themes and methods in pro-Western propaganda became more subtle. This animated feature, pitched at children and adults alike, extolled the advantages and freedoms available to those who live in a capitalist society. One early piece of Cold War propaganda was the 1948 short film Make Mine Freedom.